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Barbara Hepworth: Hospital Sketches
Histories of Reportage

Barbara Hepworth: Hospital Sketches

Operating room as drawing studio

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Bill Russell
Mar 20, 2025
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Illustrated Journalism
Illustrated Journalism
Barbara Hepworth: Hospital Sketches
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The title Radial, 1948 by Barbara Hepworth is taken from the name of a surgical procedure © Bowness, Hepworth Estate

Barbara Hepworth (1903-1975) was an English modernist sculptor renowned for her forms of elegant abstraction. What is a lesser-known yet significant aspect of her art practice was her skill for in situ drawing.

Following her daughter Sarah’s hospitalization in 1944, Hepworth formed a close bond with the surgeon Norman Capener who treated her, which led to an invitation to observe surgeries at clinics across London and Western England. From 1947 to 1949, she created a series of nearly 80 drawings of surgeons in operating rooms.

Prelude 2, 1948 © Bowness, Hepworth Estate

She worked in ink, crayon and pencil with oil glazes on gessoed surfaces that she carved into…a technique that informed her sculptural practice.1

Hepworth was struck by the parallels between these surgeons and artists, noting the close connection between their approaches, their shared tools and meticulous attention to detail, both aiming to enrich the human experience.

Hepworth’s drawings show the surgeons’ engagement in their work rather than the operations themselves. They capture their dedication, precision and collaboration in the operating room.

'From the very first moment I was entirely enthralled by the classic beauty of what I saw there; classic in the sense that architecture and function were perfectly blended and purity of idea and grace of execution were in complete harmony.'
- Barbara Hepworth

For almost three years, her series produced many diverse portrayals, from distant observations of surgical scenes to intimate studies of the surgeons’ delicate hands.

Concentration of Hands II, 1948 © Bowness, Hepworth Estate
Tibia Graft, 1949, © Bowness, Hepworth Estate
What is evident in Concourse (2), 1948 is that Hepworth has taken a scalpel to the surface of the drawing, scraping and abrading it surgically. © Bowness, Hepworth Estate

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